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12 of 12 people found the following review helpful: By This review is from: Kosmos (Audio CD) In Tomita's music I have found serene beauty, relaxation, landscapes of wonder, mysterious spaces, thrilling excitement, inspiration, and some fun. He creates his music with more depth, color, imagery, feeling, and thought than any other synthesized music I have ever heard. The big box set of all 11 CDs has finally been released! Considering that a number of Tomita CDs are over $30, and all the CDs in the box have been remastered, it is almost a bargain! So here is my list, improved and updated for accuracy (August 2009)... As a person who started collecting Tomita and lots of other electronic music when I was 19 in 1979, plus the original symphony orchestra versions of the classical music that Tomita used, I hope you consider me qualified to create the following list of Tomita albums and review them as well. Note on the 1991 Surround Sound CDs (Snowflakes to Kosmos): Tomita originally mixed his albums for special Quadraphonic LPs and tapes, but...Read more 8 of 8 people found the following review helpful: This review is from: Kosmos (Audio CD) If one can get past the laughably bad Star Wars opening track, this album is a stunner. Though lacking the fluid continuity of his previous efforts, Tomita manages to select darker, more beautiful, and more moody pieces than before, creating an incredible dream-like atmosphere without resorting to the usual space-ship and "alien" sounds that tarnished The Planets and The Bermuda Triangle. His sound became larger, more ambient, and denser. The final Bach medley "The Sea Named Solaris" is Tomita's finest hour, and this album is a must for any fan or Tomita's work, or of electronic music. A flawed but still great work. 6 of 7 people found the following review helpful: By A Customer This review is from: Kosmos (Audio CD) I have this album in vinyl, should be better without background hiss. Star Wars theme is quite interesting, lovers of "the force" should be impressed. Worth every dime. |