Customer Reviews
Average Customer Review
(56 customer reviews) 42 of 44 people found the following review helpful
London vs. Broadway,
February 21, 2001 "the_grasshopper" (Sunny Florida) - See all my reviews
This review is from: Cats (1981 Original London Cast) (Audio CD)
Are you unsure about which recording to buy? Please, let my track-by-track analysis assist you in making the right decision for you.1. Overture: TIE. There isn't a whole lot of difference between the two overtures, at least none that I can tell. They're both fine recordings.2. Prologue: Jellicle Songs for Jellicle Cats: LONDON. Unquestionably, the London recording is the better of the two. The Broadway recording is weak and not as precise as the London recording.3. The Naming of Cats: TIE. This track is completely spoken. If, other than accents, there is any noticeable difference between the two recordings, it has eluded me.4. The Invitation to the Jellicle Ball: LONDON. Both casts are fine during the chorus efforts. However, the London Munkstrap sounds much more keen in his solos, as opposed to the Broadway Munkstrap who just sounds indifferent.5. The Old Gumbie Cat: LONDON. This is no contest. The London version contains lines that were deleted from the...Read more
18 of 19 people found the following review helpful
CATS - NOW AND FOREVER,
November 19, 2004 Marijan Bosnar "(the historian)" (Croatia) - See all my reviews
This review is from: Cats (1981 Original London Cast) (Audio CD)
In many ways Cats was a turning point for Andrew Lloyd Webber. At the beginning of the 80-is he was already a hugely successful musical theatre composer, thanks to his work with the lyricist Tim Rice on "Jesus Christ Superstar" and "Evita". In the early 1980-is he decided to part ways with Rice and many people predicted him a quick downfall, even more so when he decided to use T. S. Eliot's book of children's poetry called "Old Possum's Book of Practical Cats" as a basis for his next musical. He used then a relatively unknown musical director Trevor Nunn and Gillian Lynne as a choreographer. Cats was imagined as a mixture of pop songs and ballet; by that time an unseen combination for a musical, so it is no wonder that Webber and his producer Cameron Mackintosh had trouble finding financial backup. The show opened in London and became a phenomenon in its own right. It closed in London after exactly 21 years of running in May 2001. The same thing happened when the show came to...Read more
18 of 20 people found the following review helpful
A weak yet acceptable official English CATS recording,
August 12, 2000 Yi-Peng (Singapore) - See all my reviews
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This review is from: Cats (1981 Original London Cast) (Audio CD)
This recording of CATS features the original London cast, headed by Elaine Paige and Brian Blessed. Because it is the first official full-length recording of CATS, this does not always mean that the world-premiere rendition is always the best. The London cast gives a fairly adequate performance of the score, and perform it with a softer-grained approach as compared to their Broadway counterparts. And the lean-textured recording has sounded even better than before with this recent digital remastering.Elaine Paige may be acknowledged as a foremost interpreter of Grizabella, but here her performance shows that she neds some time to get into the spirit of the role. She does give a fine rentition of Memory that, despite competition from Betty Buckley, allows her to hold her own. Brian Blessed gives a firm, commanding and sonorous portrayal of Old Deuteronomy. He has a convicting voice that he demonstrates to great effect in his solos, even in his powerful Ad-Dressing of Cats. The...Read more